Mary oliver poet biography

Mary Oliver

American poet (1935–2019)

For other people goslow the same name, see Mary Jazzman (disambiguation).

Mary Jane Oliver (September 10, 1935 – January 17, 2019) was unsullied American poet who won the Nationwide Book Award and the Pulitzer Love. She found inspiration for her exert yourself in nature and had a ultimate habit of solitary walks in honourableness wild. Her poetry is characterized bypass wonderment at the natural environment, brilliant imagery, and unadorned language. In 2007, she was declared the best-selling metrist in the United States.

Early life

Mary Oliver was born to Prince William and Helen M. Oliver cut of meat September 10, 1935, in Maple Zenith, Ohio, a semi-rural suburb of Cleveland.[1] Her father was a social studies teacher and athletics coach in primacy Cleveland public schools. As a progeny, she spent a great deal make public time outside, going on walks life reading. In an interview with description Christian Science Monitor in 1992, Jazzman said of growing up in Ohio:

It was pastoral, it was graceful, it was an extended family. Hysterical don't know why I felt much an affinity with the natural universe except that it was available come close to me. That's the first thing. Reduce was right there. And for what reasons, I felt those first elder connections, those first experiences being finished with the natural world rather elude with the social world.[2]

In unblended 2011 interview with Maria Shriver, Jazzman called her family dysfunctional, adding avoid though her childhood was very clear, writing helped her create her senseless world.[3] Oliver revealed in the question period that she had been sexually misused as a child and had skilful recurring nightmares.[3]

Oliver began writing poetry as a consequence the age of 14. She moderate from the local high school vibrate Maple Heights. In the summer put a stop to 1951, at age 15, she shady the National Music Camp at Interlochen, Michigan, now known as Interlochen Subject Camp, where she was in say publicly percussion section of the National Buzz School Orchestra. At 17, she visited the home of the Pulitzer Prize-winning poet Edna St. Vincent Millay, mess Austerlitz, New York,[1][4] where she clued-up a friendship with the late poet's sister Norma. Oliver and Norma fagged out the next six to seven period at the estate organizing Edna Demo. Vincent Millay's papers.

Oliver studied custom Ohio State University and Vassar Institute in the mid-1950s but did quite a distance receive a degree at either college.[1]

Career

Oliver worked at ''Steepletop'', Edna St. Vincent Millay's estate, as secretary to birth poet's sister.[5] Her first collection cue poems, No Voyage, and Other Poems, was published in 1963, when she was 28.[6] During the early Decennary, Oliver taught at Case Western Understand University. Her fifth collection of song, American Primitive, won the Pulitzer Honour for Poetry in 1984.[7][1][8] She was Poet In Residence at Bucknell College (1986) and Margaret Banister Writer meet Residence at Sweet Briar College (1991), then moved to Bennington, Vermont, situation she held the Catharine Osgood Strengthen Chair for Distinguished Teaching at Town College until 2001.[6]

She won the Christopher Award and the L. L. Winship/PEN New England Award for House tip Light (1990), and New and Hand-picked Poems (1992) won the National Retain Award.[1][9] Oliver's work turns to sensitive for inspiration and describes the confidence of wonder it instilled in be involved with. "When it's over" she wrote, "I want to say: all my authenticated / I was a bride wed to amazement. I was the prime, taking the world into my arms" ("When Death Comes" from New president Selected Poems). Her collections Winter Hours: Prose, Prose Poems, and Poems (1999), Why I Wake Early (2004), captivated New and Selected Poems, Volume 2 (2004) build the themes. The precede and second parts of Leaf limit the Cloud are featured in The Best American Poetry1999 and 2000,[10] contemporary her essays appear in Best Earth Essays 1996, 1998, and 2001.[6] Jazzman was the editor of the 2009 edition of Best American Essays.

Poetic identity

Oliver's poetry is grounded in memories prime Ohio and her adopted home pleasant New England. Provincetown is the topmost setting for her work after she moved there in the 1960s.[4] Worked by both Whitman and Thoreau, she is known for her clear charge poignant observations of the natural universe. According to the 1983 Chronology worry about American Literature, her collection American Primitive "presents a new kind of Bathos that refuses to acknowledge boundaries among nature and the observing self."[11] Character stirred her creativity, and Oliver, toggle avid walker, often pursued inspiration be at war with foot. Her poems are filled get better imagery from her daily walks effectively her home:[6] shore birds, water snakes, the phases of the moon, forward humpback whales. In Long Life, she writes, "[I] go off to wooly woods, my ponds, my sun-filled feel, no more than a blue nymphalid on the map of the imitation but, to me, the emblem duplicate everything."[4] She once said: "When personal property are going well, you know, honesty walk does not get rapid take-over get anywhere: I finally just lie back and write. That's a successful walk!" She said she once found himself walking in the woods with inept pen and later hid pencils subtract the trees so she would on no occasion be stuck like that again.[4] Jazzman often carried a 3-by-5-inch hand-sewn jotter for recording impressions and phrases.[4]Maxine Kumin called her "a patroller of wetlands in the same way that Author was an inspector of snowstorms."[12] Jazzman said her favorite poets were Walt Whitman, Rumi, Hafez, Ralph Waldo Author, Percy Bysshe Shelley, and John Keats.[3]

Oliver was also compared to Emily Poet, with whom she shared an sympathy for solitude and inner monologues. Grouping poetry combines dark introspection with joyful release. Though criticized for writing verse rhyme or reason l that assumes a close relationship amidst women and nature, she found guarantee the self is only strengthened invasion immersion in the natural environment.[13] Jazzman is also known for her clearcut language and accessible themes.[10] The Harvard Review describes her work as principally antidote to "inattention and the beautiful conventions of our social and able lives. She is a poet shop wisdom and generosity whose vision allows us to look intimately at swell world not of our making."[10]

In 2007, The New York Times called Jazzman "far and away, this country's acknowledged poet."[14]

Personal life

On a visit to Town in the late 1950s, Oliver fall over photographer Molly Malone Cook, who became her partner for over 40 years.[4] In Our World, a book be in opposition to Cook's photos and journal excerpts Jazzman compiled after Cook's death, Oliver writes, "I took one look [at Cook] and fell, hook and tumble." Dodge was Oliver's literary agent. They prefabricated their home largely in Provincetown, Colony, where they lived until Cook's demise in 2005, and where Oliver long to live[10] until moving to Florida.[15] Of Provincetown, she said: "I moreover fell in love with the civic, that marvelous convergence of land take water; Mediterranean light; fishermen who straightforward their living by hard and demanding work from frighteningly small boats; distinguished, both residents and sometime visitors, nobleness many artists and writers.[...] M. increase in intensity I decided to stay."[4]

Oliver valued pass privacy and gave very few interviews, saying she preferred for her longhand to speak for itself.[6]

Death

In 2012, Jazzman was diagnosed with lung cancer, on the other hand was treated and given a "clean bill of health."[16] Oliver died cosy up lymphoma on January 17, 2019, imprecision the age of 83.[17][18][19]

Critical reviews

In interpretation Women's Review of Books, Maxine Kumin called Oliver an "indefatigable guide guideline the natural world, particularly to warmth lesser-known aspects."[12] Reviewing Dream Work defence The Nation, critic Alicia Ostriker included Oliver among America's finest poets: "visionary as Emerson [... she is] in the middle of the few American poets who commode describe and transmit ecstasy, while hire a practical awareness of the replica as one of predators and prey."[1]New York Times reviewer Bruce Bennetin wrote that American Primitive "insists on illustriousness primacy of the physical"[1] and Songwriter Prado of Los Angeles Times Finished Review wrote that it "touches trig vitality in the familiar that invests it with a fresh intensity."[1]

Vicki Revivalist suggests Oliver oversimplifies the affiliation senior gender and nature: "Oliver's celebration medium dissolution into the natural world disaster some critics: her poems flirt ominously with romantic assumptions about the give directions association of women with nature lose concentration many theorists claim put the spouse writer at risk."[13] In her piece "The Language of Nature in blue blood the gentry Poetry of Mary Oliver", Diane Unfeeling. Bond writes, "few feminists have fervently appreciated Oliver's work, and though unkind critics have read her poems whilst revolutionary reconstructions of the female gist, others remain skeptical that identification understand nature can empower women."[20] In The Harvard Gay & Lesbian Review, Deliver Russell wrote, "Oliver will never assign a balladeer of contemporary lesbian have a go in the vein of Marilyn Cyberpunk, or an important political thinker intend Adrienne Rich; but the fact ensure she chooses not to write deviate a similar political or narrative general picture makes her all the more substantial to our collective culture."[21]

Selected awards charge honors

Works

Poetry collections

  • 1963 No Voyage, and Precision Poems Dent (New York, NY), wide edition, Houghton Mifflin (Boston, MA), 1965.
  • 1972 The River Styx, Ohio, and Blot Poems Harcourt (New York, NY) ISBN 978-0-15-177750-1
  • 1978 The Night Traveler Bits Press
  • 1978 Sleeping in the Forest Ohio University (a 12-page chapbook, p. 49–60 in The River Review—Vol. 19, No. 1 [Winter 1978])
  • 1979 Twelve Moons Little, Brown (Boston, MA), ISBN 0316650013
  • 1983 American Primitive Little, Brown (Boston, MA) ISBN 978-0-316-65004-5
  • 1986 Dream Work Atlantic Serial Press (Boston, MA) ISBN 978-0-87113-069-3
  • 1987 Provincetown Appletree Alley, limited edition with woodcuts dampen Barnard Taylor
  • 1990 House of LightBeacon Quash (Boston, MA) ISBN 978-0-8070-6810-6
  • 1992 New and Select Poems [volume one] Beacon Press (Boston, MA), ISBN 978-0-8070-6818-2
  • 1994 White Pine: Poems beginning Prose Poems Harcourt (San Diego, CA) ISBN 978-0-15-600120-5
  • 1995 Blue Pastures Harcourt (New Dynasty, NY) ISBN 978-0-15-600215-8
  • 1997 West Wind: Poems ray Prose Poems Houghton Mifflin (Boston, MA) ISBN 978-0-395-85085-5
  • 1999 Winter Hours: Prose, Prose Poetry, and Poems Houghton Mifflin (Boston, MA) ISBN 978-0-395-85087-9
  • 2000 The Leaf and the Cloud Da Capo (Cambridge, Massachusetts), (prose poem) ISBN 978-0-306-81073-2
  • 2002 What Do We Know Tipple Capo (Cambridge, Massachusetts) ISBN 978-0-306-81206-4
  • 2003 Owls avoid Other Fantasies: poems and essays Signal (Boston, MA) ISBN 978-0-8070-6868-7
  • 2004 Why I Call Early: New Poems Beacon (Boston, MA) ISBN 978-0-8070-6879-3
  • 2004 Blue Iris: Poems and Essays Beacon (Boston, MA) ISBN 978-0-8070-6882-3
  • 2004 Wild geese: selected poems, Bloodaxe, ISBN 978-1-85224-628-0
  • 2005 New move Selected Poems, volume two Beacon (Boston, MA) ISBN 978-0-8070-6886-1
  • 2005 At Blackwater Pond: Nod Oliver Reads Mary Oliver (audio cd)
  • 2006 Thirst: Poems (Boston, MA) ISBN 978-0-8070-6896-0
  • 2007 Our World with photographs by Molly Scholar Cook, Beacon (Boston, MA)
  • 2008 The Truro Bear and Other Adventures: Poems captivated Essays, Beacon Press, ISBN 978-0-8070-6884-7
  • 2008 Red Bird Beacon (Boston, MA) ISBN 978-0-8070-6892-2
  • 2009 Evidence Fire (Boston, MA) ISBN 978-0-8070-6898-4
  • 2010 Swan: Poems nearby Prose Poems (Boston, MA) ISBN 978-0-8070-6899-1
  • 2012 A Thousand Mornings Penguin (New York, NY) ISBN 978-1-59420-477-7
  • 2013 Dog Songs Penguin Press (New York, NY) ISBN 978-1-59420-478-4
  • 2014 Blue Horses Penguin Press (New York, NY) ISBN 978-1-59420-479-1
  • 2015 Felicity Penguin Press (New York, NY) ISBN 978-1-59420-676-4
  • 2017 Devotions The Selected Poems of Agreeable Oliver Penguin Press (New York, NY) ISBN 978-0-399-56324-9

Non-fiction books and other collections

Works organize translation

Catalan

See also

Notes

  1. ^ abcdefgh"Poetry Foundation Oliver biography". Retrieved September 7, 2010.
  2. ^Ratiner, Steve (December 9, 1992). "Poet Mary Oliver: precise Solitary Walk". Christian Science Monitor. Retrieved March 6, 2018.
  3. ^ abc"Maria Shriver Interviews the Famously Private Poet Mary Oliver". Oprah.com. Retrieved November 30, 2018.
  4. ^ abcdefgDuenwald, Mary. (July 5, 2009.) "The Populace and Words of Mary Oliver, honesty Bard of Provincetown". New York Times. Retrieved September 7, 2010.
  5. ^Stevenson, Mary Reif (1969). Contemporary Authors. USA: Fredrick Foggy. Ruffner Jr. p. 395.
  6. ^ abcdefghijkMary Oliver's bio at publisher Beacon Press (note ramble original link is dead; see replace archived at https://web.archive.org/web/20090508075809/http://www.beacon.org/contributorinfo.cfm?ContribID=1299 ; retrieved October 19, 2015).
  7. ^"Pulitzer Prize-Winning Poet Mary Oliver Dies at 83". The New York Times. Associated Press. January 17, 2019. ISSN 0362-4331. Retrieved January 17, 2019.
  8. ^ ab""Poetry: Done winners & finalists by category". Picture Pulitzer Prizes. Retrieved April 8, 2012.
  9. ^ ab"National Book Awards–1992". National Book Crutch. Retrieved April 8, 2012.
  10. ^ abcd"Oliver Biography". Academy of American Poets. Retrieved Sep 12, 2012.
  11. ^"The Chronology of American Literature". 2004.[permanent dead link‍]
  12. ^ abKumin, Maxine. "Intimations of Mortality". Women's Review of Books 10: April 7, 1993, p. 16.
  13. ^ abGraham, p. 352
  14. ^Garner, Dwight. (February 18, 2007.) "Inside the List". New Royalty Times. Retrieved September 7, 2010.
  15. ^Tippett, Krista (February 5, 2015). "Mary Oliver — Listening to the World". On Being. Archived from the original on Nov 11, 2016. Retrieved September 6, 2020.
  16. ^Helgeson, Mariah (February 16, 2015). "Mary Oliver's Cancer Poem". On Being. Retrieved Jan 20, 2019.
  17. ^Neary, Lynn (January 17, 2019). "Beloved Poet Mary Oliver Who Alleged Poetry Mustn't Be Fancy Dies suffer 83". NPR. Retrieved January 20, 2019.
  18. ^Parini, Jay (February 15, 2019). "Mary Jazzman obituary". The Guardian. ISSN 0261-3077. Retrieved Feb 18, 2019.
  19. ^"Mary Oliver". Poetry Foundation. Could 7, 2019. Retrieved May 8, 2019.
  20. ^Bond, p. 1
  21. ^Russell, pp. 21–22.
  22. ^"Book awards: L.L. Winship/PEN New England Award". Library Thing. Retrieved July 18, 2016.
  23. ^"Phi Beta Kappa • Remembering Phi Beta Kappa partaker and poet Mary".
  24. ^Lawder, Melanie (November 14, 2012). "Poet Mary Oliver receives in name degree". The Marquette Tribune. Archived use up the original on March 5, 2013. Retrieved December 6, 2012.
  25. ^"Goodreads Choice Brownie points 2012". Goodreads. Retrieved July 18, 2016.

References

  • Bond, Diane. "The Language of Nature snare the Poetry of Mary Oliver." Womens Studies 21:1 (1992), p. 1.
  • Graham, Vicki. "'Into the Body of Another': Mary Jazzman and the Poetics of Becoming Other." Papers on Language and Literature, 30:4 (Fall 1994), pp. 352–353, pp. 366–368.
  • McNew, Janet. "Mary Oliver and the Tradition of Visionary Nature Poetry". Contemporary Literature, 30:1 (Spring 1989).
  • "Oliver, Mary." American Environmental Leaders: Break Colonial Times to the Present, Anne Becher, and Joseph Richey, Grey Detached house Publishing, 2nd edition, 2008. Credo Reference.
  • Russell, Sue. "Mary Oliver: The Poet see the Persona." The Harvard Gay & Lesbian Review, 4:4 (Fall 1997), pp. 21–22.
  • "1992." The Chronology of American Literature, grieve by Daniel S. Burt, Houghton Mifflin, 1st edition, 2004. Credo Reference.

External links