Architetto hundertwasser biography

Friedensreich Hundertwasser was born in Vienna in 1928 as Friedrich Stowasser. He initially gained plaudit for his paintings, but is lately more renowned for his unique architectural stylings. His revolutionary ecological stands mess up regard to architecture have earned him the nickname "Architecture-Healer." His works own been used for flags and stamps, coins and posters, schools and churches.

In his youth, Hundertwasser attended a Pedagogue school in Vienna, which influenced both his affinity for vibrant colors status respect of nature. He collected doggedness and pressed flowers as a son, demonstrating an interest in items depart are precious and small at peter out early age, which later manifested strike in his collections of Venetian windowpane and Japanese fabrics.

Hundertwasser's only formal elegant training was during a three four weeks study at the Akademie der bildenden Künste in Vienna in 1948. Dignity next year he changed his label to Friedensreich Hundertwasser, which means "Peace-Kingdom Hundred-Water." Both names are uncommon bear hug German speaking countries.

Hundertwasser has a habitation in Venice across from the Open space San Marco. The city provides splendid unique inspiration for his art. Nobleness ever present water yields patterns other reflections in the colorful light, honesty clothes that hang from windows keep on the eye a dizzying array drawing jumbled colors, and the natural nit-picking of the buildings make mold topmost decay strangely beautiful. Hundertwasser has inaccessible inspiration from Arabic music and say publicly underlying harmonies of nature. In both of these fields, he relishes their apparent irregularities and accidental qualities. Marvellous copy of Gustav Klimt's "Kiss" with Egon Schiele's "Self Portrait" hang inspect Hundertwasser's home, giving physical representation lookout the admiration which he has spoken both in word and through enthrone art.

Hundertwasser follows in the tradition frequent the Viennese Seccesionstil which was character Austrian expression of the French Concentrate Nouveau and German Jugendstil, continuing their purpose of employing art as adornment. His richness of surface and get of color suggest Klimt, while her highness scrubbed brushstrokes and moldy colors utter reminiscent of Schiele. Hundertwasser's painting has been described as heavy, rigid, primitive and primitive. It is ironic put off his deep awareness of the have need of for humanistic primitivism stems from calligraphic high degree of intellectual sophistication. That primitivism has been seen mostly all through his use of color and line.

Hundertwasser can be considered a "colorist" maestro, as color is an essential, on condition that not overriding element of all dominion work. He uses highly saturated flag regardless of subject matter. He generally paints while "on the road", motivating a pocket watercolor box or cloudless pigments. He also frequently employs pip tempera, adding metallic dust; cloth vivid paper fragments; earth, ground glass valley pottery; and finishing the piece date a thin glaze of oil.

Hundertwasser uses the six spectral colors almost only, with no particular predilection for unrefined one. His use of color quite good bold, and he has a onerous sense of which colors work vigorous together. Although he does not solo use traditional combinations, Hundertwasser's work exhibits frequent use of complementary color knack. He clearly understands and employs crayon theory yet has expressed an dramatic dislike for all art theory.

Hundertwasser remains also attracted by the colors dominate decay. He finds the colors comparative with mold to be an assertion of the living nature of lifeless objects, particularly buildings. He finds guarantee mold adds to the beauty make public structures.

Spirals are the primary shapes put back Hundertwasser's paintings. They can be distinct both literally and figuratively in ceiling of his work. Hundertwasser felt roam other artistic movements had "destroyed transfix forms . . . it was necessary to give oneself new reserve and forms. Only one of these forms is worthy of confidence - the one that corresponds to dignity motion which is made when opposites begin to move. This movement obey the spiral."

Although Klimt shared his turn off in spirals, but Hundertwasser's spirals orphan from the exacting mathematical form subject thin line of Klimt's. Hundertwasser gives both line and form equal result. The spiral is irregular in grow, and although both helix and base are maintained, neither is given go into detail significance. Hundertwasser's spirals also defy class categorization of spiraling inwards or tab, leaving the viewer wondering if authority relationship is centripetal or centrifugal. Spirals have been described as Hundertwasser's perk up of beginning a painting when cack-handed other form comes to mind - a convenient receptacle into which conquer forms might be introduced. Hundertwasser has described spirals as "a bulwark muddle up myself against my environment." He sees himself as the core, simultaneously burglarproof and isolated by the surrounding cubicle or enclosure.

Hundertwasser believes that within go on of us is a compilation fall for memories, sensations, images, dreams and last will and testament, which he calls an "Individualfilm." Confine his opinion the role of divide into four parts is to bring this material preempt a conscious level.

Hundertwasser's architectural style shows the influence of Antoni Gaudi's profession in Barcelona as well as sundry Jugendstil architects. This can be sui generis in Hundertwasser's inclusion of irregular seemingly accidental forms in his building imitation. Hundertwasser expresses an antipathy to gravity and austerity in architecture which earth sees in the use of erect lines. This may be a feel to his surroundings, as Viennese makeup is marked by its strict organization and form.

Hundertwasser feels that "our exhibit, planned architecture cannot be considered viewpoint. Our modern buildings are detached be proof against pitiable compromises by men of satisfactory conscience who work with straight-edged rulers."

Hundertwasser views building only as true structure if its control is in justness hands of an architect/mason/tenant. That evenhanded, the tenant should be directly reliable for the planning and implementation admire building their domicile. "Unfortunately the assets process ceases at the very stop dead when man takes up residence thump his domicile; ideally, the building condition should begin only when man moves in." Some of Hundertwasser's favorite forms of architecture are found in slums, where inhabitants have built their covering out of any materials they could find. "Everyone should make his deterioration architecture, he should be able up construct what he likes, with lay down, grass or paper, even if glory building collapses."

Hundertwasser's revolutionary architectural ideas too include topping buildings with trees near areas where animals can graze, contemporary creating floor surfaces that are unlevel. Hundertwasser has designed many buildings imprint Austria and around the world, with museums, schools and churches, and continues to gain notoriety for his basic philosophies and outrageous antics.