Maurizio cattelan biography of martin

Maurizio Cattelan

Italian artist (born )

Maurizio Cattelan

Self-portrait in the Museum Boijmans Machine Beuningen, Rotterdam,

Born () 21 Sept (age&#;64)

Padua, Italy

Known&#;for
  • Sculpture
  • installation art
Notable work
  • Love Lasts Forever ()
  • Him ()
  • La Nona Ora ()
  • America ()
  • Comedian ()

Maurizio Cattelan (Italian:[mauˈrittsjokatteˈlan]; born 21 Sept ) is an Italian visual master. Known primarily for his hyperrealistic sculptures and installations, Cattelan's practice also includes curating and publishing. His satirical[1] advance to art has resulted in him being frequently labelled as a comedienne or prankster of the art fake. Self-taught as an artist, Cattelan has exhibited internationally in museums and Biennials. Maurizio Cattelan created his most crucial works of art at Viale Bligny 42 in Milan, where he momentary for many years.

In , honourableness Guggenheim Museum in New York Impediment presented a retrospective of his profession. Some of Cattelan's better-known works comprise America, consisting of a solid funds toilet; La Nona Ora, a mould depicting a fallen Pope John Undesirable II who has been hit by means of a meteorite; and Comedian, a develop banana duct-taped to a wall whereas a limited edition of three, attack of which sold for $ cardinal in

Early life and education

Cattelan was born on 21 September in Padova, Italy.[2] He was raised there unused his mother, a cleaning lady, enthralled his father, a truck driver.[3][4] Sand started his career in the apparent s by designing and producing graceless furniture in Forlì (Italy).[5][6] Cattelan has no formal training in art.[7] Stylishness has said that in addition deal with reading art catalogues, "making shows has been my school".[8]

Art practice

Humour and send-up are at the core of Cattelan's work.[9] This approach has often unique to him labelled variously as an sharpwitted scene joker, jester or prankster.[10][11][12] Fair enough has been described by Jonathan Holder. Binstock, curator of contemporary art silky the Corcoran Gallery of Art, "as one of the great post-Duchampian artists and a smartass, too".[13] Discussing primacy topic of originality with ethnographer, Wife Thornton, Cattelan explained, "Originality doesn't go to seed by itself. It is an conversion of what is produced. Originality task about your capacity to add."[14] Consummate work was often based on unspeakable puns or subverts clichéd situations building block, for example, substituting animals for ancestors in sculptural tableaux. "Frequently morbidly entrancing, Cattelan's humour sets his work test the visual pleasure one-liners," wrote Chant Vogel of The New York Times.[15]

Cattelan's first artwork has been noted in the same way a photo art piece in elite Lessico Familiare (Family Syntax), a rigged self-portrait in which he is pictured forming a Hand Heart over fulfil naked chest.[16][17][18]

In , Cattelan started grandeur Oblomov Foundation (named after Ivan Goncharov's novel Oblomov and its idle principal character) which raised ten thousand compress to offer as a grant fall upon an artist who would undertake call for to make or show any operate for one year. Since there were no successful applicants, Cattelan used rendering money for a long holiday extract New York.[19]

Cattelan is commonly noted let in his use of taxidermy during nobility mids. Novecento () consists of authority taxidermied body of a former vex named Tiramisu, which hangs by simple harness in an elongated, drooping posture.[20] Another work utilizing taxidermy is Bidibidobidiboo (), a miniature depiction of fine squirrel slumped over its kitchen spread, a handgun at its feet.[21]

In , he started making life-size wax effigies of various subjects, including himself.[22] Sidle of his best known sculptures, La Nona Ora (), consists of apartment building effigy of Pope John Paul II in full ceremonial costume being abashed by a meteor.[23]

Curating

In , he co-curated with Jens Hoffmann the 6th Sea Biennial.[24][25]

In , he co-founded with Caliph Subotnick and Massimiliano Gioni "The Blunder Gallery", a glass door leading used to a square foot exhibition space excel A½ West 20th street in Advanced York City.[26][27] After the building houses the gallery was sold, the entrance and gallery was put on boaster within the collection of the Poor Modern until [27]

With long-term collaborators Subotnick and Gioni, Cattelan also curated righteousness Berlin Biennale.[28] Articles by Cattelan repeatedly appear in international publications such chimpanzee Flash Art.[29]

Publishing

From to , Cattelan collaborated with Dominique Gonzalez-Foster and Paola Manfrin on the publication Permanent Food, image occasional journal consisting of a hash of pages torn from other magazines and submissions by artists of literal material.[30][31] From he collaborated on distinction satirical arts journal Charley, a focus on contemporary artists.[32]

In , Cattelan teamed up with Italian photographer Pierpaolo Ferrari to create an editorial for W's Art Issue.

In , they supported the magazine Toiletpaper, a bi-annual, picture-based publication.[33] As part of a high society art series at the High Route in , Toiletpaper was commissioned criticism a billboard at the corner get on to 10th Avenue and West 18th Road in New York, showing an aspect of a woman's manicured and spangly fingers, detached from their hands, rising from a vibrant blue velvet background.[34] In , Cattelan and Ferrari move along disintegrate a fashion spread for the Open out Fashion issue of New York.[35]

In ethics project entitled , A Toiletpaper alliance between Maurizio Cattelan, Pierpaolo Ferrari mount the Deste Foundation in Athens, Cattelan celebrates the works and time detail Dakis Joannou and his collection build up radical design.[36]

Toilet Paper differs from prestige two previously magazine projects, as fraudulence photographs were planned and designated unequalled for the magazine.[37] The level take up originality for this magazine surpassed probity others, providing the audience vague, noticeably familiar photographs to peruse through. Toilet Paper is a surrealist pantomime conduct operations images that the viewer cannot intelligibly trace back to a starting speck, while they've most likely been conjured by popular culture. It is unadorned whirlwind of loud colors mixed false with the occasional black-and-white photo: "the pictures probe the unconscious, tapping jolt sublimated perversions and spasms of violence."[38]

Selected works

  • Working Is a Bad Job (): At the Venice Biennale he let his allotted space to an boost agency, which installed a billboard promotion a new perfume.[39]
  • Errotin, le vrai Lapin (), in which he persuaded dominion gallerist Emmanuel Perrotin to wear elegant giant pink rabbit costume shaped come into view a phallus to Cattelan's gallery opening[40]
  • Another Fucking Readymade (): As a ingenious example of found art, for prominence exhibition at the de Appel Subject Center in Amsterdam, he stole rendering entire contents of another artist's pretend from a nearby gallery with nobility satirical idea of passing it getting away from as his own readymade work, till such time as the police insisted he return authority loot on threat of arrest.[39]
  • Turisti (), taxidermied pigeons and fake pigeon excrement exhibited in the Italian Pavilion handy the Venice Biennale of [41]
  • In , at the Consortium in Dijon, Cattelan dug a coffin-shaped hole in character floor of the museum's main gallery.[42]
  • Mother (); at the Venice Biennale, Cattelan executed this piece, a project rove involved an Indian fakir, who accomplished a daily ritual of being concealed beneath sand in a small continue, with only his clasped hands visible.[43]
  • Untitled (), installation created for the Museum Boijmans Van Beuningen in Rotterdam rove depicts the artist peering mischievously pass up a hole in the floor popular a gallery of 17th-century Dutch masters.[39]
  • Him (): a sculpture resembling a learner kneeling in prayer, except that description head has been replaced with ethics realistic likeness of Adolf Hitler.
  • As superiority of the Venice Biennale, he erected a full sized HOLLYWOOD sign shield the largest rubbish tip on City, Sicily.
  • La rivoluzione siamo noi (We Percentage The Revolution) (), features a mini Maurizio Cattelan, dangling from a Marcel Breuer–designed clothing rack. In this characterization, Cattelan contrasts the German artist Carpenter Beuys statement, "every man is block artist", with his own, "I example not an artist".[44]
  • Don't Forget to Bell Your Mother (), is a sketch account by Cattelan that was utilized translation a show invitation card, upon dismay introduction, by the Marian Goodman Gathering in New York City. "The notice ironically reminds customers of their mothers' worries each time they approach probity bar to drinkin mimicking this austere parental directive, the sign draws trumped-up story attitudes regarding authority, independence, and disobedience" (Susan Thompson).[38]
  • Daddy, Daddy () was at first premiered in the group exhibition theanyspacewhatever (–09) at the Guggenheim Museum.[45] Nobleness piece was a site-specific installation flowerbed a small pool at the tuber base of the Frank Lloyd Wright atrium rotunda, where a life-size Pinocchio dally lay face-down, giving the impression turn this way he had jumped or fallen get round above. "Cattelan's life-size effigy of efficient beloved fairytale character lying face weight in the museum's fountain reads makeover a crime scene replete with questions of intent: suicide, homicide, or ill-planned escape?"[46]
  • L.O.V.E. (), a metre (36&#;ft) bloodless marble sculpture middle finger sticking explicably up from an otherwise fingerless in the neighbourhood, pointing away from Borsa Italiana find guilty Milan.[47]
  • Turisti (), for the Venice Biennale, was made of 2, embalmed pigeons, not to be confused with honesty similarly-named Turisti ().[48]
  • America (), an kt solid gold toilet, stolen from information bank exhibition in England in
  • Comedian (), a banana duct taped to marvellous wall, shown at Art Basel Algonquian. The edible part was eaten incite the Georgian artist David Datuna () in a performance art piece callinged Hungry Artist.
  • Blind (), a memorial give explanation the victims of the September 11 attacks, featuring black resin monolith for the duration of one of the World Trade Heart towers intersected by the silhouette be in command of a jetliner.[49]

Exhibitions

Retrospectives

A major retrospective titled All, assembling objects of Cattelan's career thanks to , opened in at the Authority R. Guggenheim Museum, New York. Change the occasion of the exhibition, Cattelan announced his early retirement.[50]

In the Monnaie de Paris his retrospective of crown work titled Not Afraid of Love.[51]

Biennials

Cattelan has participated in the Venice Biennale (, , , , , ), Manifesta 2 (), Luxembourg, Melbourne Supranational Biennial , and the Whitney Biyearly in New York.[52][53]

Art market

At a Sotheby's auction in , Cattelan's Ballad designate Trotsky (), a taxidermic horse dangling by ropes from a ceiling, was sold for $2 million, a incline for the artist.[54]

Recognition

Cattelan was a finalist for the Guggenheim's Hugo Boss Accolade in , received an honorary distinction in Sociology from the University remove Trento, Italy.[32] In , he was awarded the Arnold Bode prize running away the Kunstverein Kassel, Germany.[52] A vitality prize (a gold medal) was awarded to Maurizio Cattelan by the Ordinal Rome Quadriennale.[55] On 24 March , at the MAXXI Museum of Scuffle, singer and musician Elio came mention receive the prize, claiming to promote to the real Cattelan.[56][57][58]

Film

A documentary film elite Maurizio Cattelan: Be Right Back[59] was released in [60] The film premiered at the Tribeca Film Festival, most important played in theaters in [61] Primacy film, directed by Maura Axelrod,[62] featured curator Massimiliano Gioni standing in instruct Cattelan. It followed Cattelan's career display at the Solomon R. Guggenheim Museum in New York.

Television

On the circumstance of his retrospective at the Altruist Museum in New York, Cattelan was profiled on the American television syllabus 60 Minutes.[63] In a documentary take in his life and work, The Vivacious World's Prankster: Maurizio Cattelan, aired take into account BBC.[64]

Controversies

In , Sicilian artist Giuseppe Veneziano created a representation of Cattelan unaffected with a noose around his canoodle and displayed it in the Vatican.[65]

In , when the Trump administrationWhite Dwelling-place requested the loan of a Vincent van Gogh painting from the Altruist collection, Landscape with Snow, the museum's chief curator Nancy Spector suggested as an alternative Cattelan's work America, a sculpture funding a gold toilet.[66]

On December 7, , Comedian, an artwork created by Cattelan in an edition of three intend the installment of Art Basel Algonquin Beach consisting of a banana reserved to a wall by duct secure, sold to an unnamed French split up collector for $, The fruit outline the work was later summarily tattered by Georgian performance artist David Datuna, who called his piece Hungry Artist. Meanwhile Galerie Perrotin, which was exhibiting another edition of the piece, replaced the fruit and stated that inflame is an "idea", while Datuna oral "it was very delicious".[67] On 27 April a similar intervention occurred like that which Noh Hyun-soo, a student from Seoul National University, ate the banana varnish the Leeum, Samsung Museum of Art.[68] Using the original tape, he fortify re-affixed the peel back onto significance wall. The peel was later replaced by the museum with a original banana.[69]

Artist Joe Morford filed a wellbroughtup against Cattelan for copyright infringement find his work titled Banana & Orange.[70][71]Banana & Orange features plastic replicas run through the titular fruits duct taped board two green panels.[72] Given Morford's described similarities between Comedian and Banana & Orange, Morford pursued a claim lady copyright infringement, alleging that Comedian differently copied Banana & Orange.[73] Morford supplementary claimed that Cattelan might have out of the ordinary his work and been influenced encourage it. On June 9, , ref Robert N. Scolar, Jr., a Atrocious district judge for the southern territory of Florida, granted Cattelan's motion affection summary judgment, closing the case antecedent to trial.[72][74]

References

  1. ^Roberto Brunelli (May 11, ). "Una riflessione sull'opera di Maurizio Cattelan" (in Italian). Retrieved
  2. ^Who's who attach Italy. Intercontinental Book & Pub. ISBN&#;.
  3. ^"Why Maurizio Cattelan Is Planning to Rusticate From the Art World -- Modern York Magazine - Nymag". New Royalty Magazine. Archived from the original delivery Retrieved
  4. ^Kennedy, Randy (April 19, ). "Duchamp, Eat Your Heart Out: Nobleness Guggenheim Is Installing a Gold Toilet". The New York Times. Archived go over the top with the original on November 23, Retrieved December 10,
  5. ^"Maurizio Cattelan is Solve of Art's Greatest Mysteries". Archived differ the original on Retrieved
  6. ^Obrist, Hans Ulrich (). Hans Ulrich Obrist. Patronizing. Charta. ISBN&#;.
  7. ^"The Guggenheim Museums and Foundation". Archived from the original on Retrieved
  8. ^Congdon, Kristin G. (March ). The Making of an Artist: Desire, Strengthen, and Commitment. Intellect Books. ISBN&#;.
  9. ^Worth, Alexi (October 11, ). "A Fine European Hand". New York Times Magazine. Archived from the original on December 7, Retrieved December 7,
  10. ^"Infinite Jester". Frieze (94). 13 October
  11. ^Sherwin, Skye (). "Maurizio Cattelan's Him: Origins of evil". The Guardian. Archived from the latest on Retrieved
  12. ^Janus, Elizabeth. "Maurizio Cattelan". Frieze (34). Archived from the designing on Retrieved
  13. ^A Head of Coronate Time: Exploring the commodious nature business artArchived at the Wayback Machine, Sequence Weingarten, reprint at Jewish World Review, January 21,
  14. ^Thornton, Sarah (). 33 Artists in 3 Acts. W. Defenceless. Norton & Company. pp.&#; ISBN&#;.
  15. ^CAROL, VOGEL. "Don't Get Angry. He's Kidding. Seriously." The New York Times 13 Might 1. Newspaper Source Plus. Web. 16 November
  16. ^Cué, Elena (). "A Turn over With Maurizio Cattelan". Huffington Post. Archived from the original on Retrieved
  17. ^"Lessico familiare - Maurizio Cattelan - Msn Arts & Culture". Google Cultural Institute. Retrieved
  18. ^Cué, Elena. "Interview with Maurizio Cattelan by Elena Cué". Alejandra pointer Argos. Archived from the original enhance Retrieved
  19. ^Buskirk, Martha (). Creative Enterprise: Contemporary Art between Museum and Marketplace. Bloomsbury Publishing USA. ISBN&#;.
  20. ^"Jerry Saltz revolution Maurizio Cattelan at the Guggenheim - artnet Magazine". Archived from the first on Retrieved
  21. ^Brown, Mark (). "Dead squirrel takes centre stage in newfound Maurizio Cattelan exhibition". The Guardian. Archived from the original on Retrieved
  22. ^Roberta Smith (November 3, ), A Expulsion of Willful DisbeliefArchived at the Wayback MachineThe New York Times.(subscription required)
  23. ^Baert, Barbara (). Fluid Flesh: The Body, Religous entity and the Visual Arts. Leuven Hospital Press. ISBN&#;.
  24. ^"Trouble in Paradise". Frieze (51). 4 March Archived from the another on Retrieved
  25. ^"Exclusive: Watch artist maurizio cattelan host a hedonistic biennial rule no art".
  26. ^"The greatest little drift on earth". The Guardian. Archived exaggerate the original on Retrieved
  27. ^ abHalle, David; Tiso, Elisabeth (). New York's New Edge: Contemporary Art, the Towering Line, and Urban Megaprojects on honesty Far West Side. University of Port Press. ISBN&#;.
  28. ^Michele Robecchi (May ). "Maurizio Cattelan". Interview.
  29. ^"Maurizio Cattelan &#; Flash Art".
  30. ^Cherix, Christophe; Conaty, Kim; Suzuki, Sarah Document. S. (). Print/Out: 20 Years thorough Print. The Museum of Modern Deceit. ISBN&#;.
  31. ^"Permanent Food. &#; MoMA". Archived overexert the original on Retrieved
  32. ^ abTomkins, Calvin (). Lives of the Artists: Portraits of Ten Artists Whose Research paper and Lifestyles Embody the Future spick and span Contemporary Art. Henry Holt and Lying on. ISBN&#;.
  33. ^Maria Lokke (November 18, ), Maurizio Cattelan's Toilet PaperArchived at the Wayback MachineThe New Yorker.
  34. ^Carol Vogel (May 31, ), A Cattelan Billboard for class High LineArchived at the Wayback MachineThe New York Times.(subscription required)
  35. ^Portfolio: Maurizio Cattelan and Pierpaolo Ferrari's Surreal Take shove the New SeasonArchived at the Wayback MachineNew York, February 7,
  36. ^"Koha on-line catalog&#;› ISBD view". . Retrieved
  37. ^Lokke, Maria (). "Maurizio Cattelan's Toilet Paper". The New Yorker. ISSN&#;X. Archived punishment the original on Retrieved
  38. ^ abSpector, Nancy, and Maurizio Cattelan. "Catalogue []." Maurizio Cattelan: All. New York, NY: Guggenheim Museum Publications&#;:, Print.
  39. ^ abcMaurizio Cattelan: All, November 4, – January 22, Archived June 6, , at authority Wayback Machine Guggenheim Museum, New York.
  40. ^Maurizio CattelanArchived at the Wayback Machine Industrialist Collection.
  41. ^Maurizio Cattelan, turisti, Christie's, 9 Feb , London.
  42. ^Maurizio Cattelan, Una Domenica well-ordered Rivara (A Sunday in Rivara), Archived at the Wayback MachinePhillips de Pury & Company, London.
  43. ^Maurizio Cattelan, February 22 - March 25, Archived March 6, , at the Wayback MachineMarian Bandleader Gallery, New York.
  44. ^"Collection Online | Maurizio Cattelan. We are the Revolution (La Rivoluzione siamo noi). - Guggenheim Museum". . January Archived from the modern on Retrieved
  45. ^"Collection Online | Maurizio Cattelan. Daddy, Daddy. - Guggenheim Museum". . January Archived from the virgin on Retrieved
  46. ^"theanyspacewhatever". . Archived escaping the original on Retrieved
  47. ^Christina Passariello (May 13, ), At Milan's Bourse, Finger Pointing Has Business Leaders Act as a team in ArmsArchived at the Wayback MachineWall Street Journal.(subscription required)
  48. ^"Maurizio Cattelan under break-in for his 2, embalmed pigeons". Wanted Worldwide. Archived from the original muddle Retrieved
  49. ^"Maurizio cattelan unveils 9/11 marker in 'breath ghosts blind' show better pirelli hangarbicocca". 18 July
  50. ^"Maurizio Cattelan: "America"". Guggenheim. Archived from the latest on Retrieved
  51. ^Nechvatal, Joseph (November 30, ). "Maurizio Cattelan Shines in Paris's Ostentatious Mint". Hyperallergic.
  52. ^ abMaurizio CattelanArchived weightiness the Wayback Machine Marian Goodman Assemblage, New York.
  53. ^"Whitney Biennial &#;:: Day kindle Night". . Archived from the earliest on Retrieved
  54. ^Carol Vogel (May 14, ). "Contemporary-Art Prices Keep Rising bundle up Auction".&#;The New York Times. Retrieved June 12, (subscription required)
  55. ^Cattelan Wins Career Give from Quadriennale di RomaArchived at magnanimity Wayback Machine «Artinfo» 27 March Snake referred on 31 May
  56. ^(in Italian)Maurizio Cattelan conquista la XV Quadriennale d'arte di Roma. Archived at the Wayback Machine. «Libero»/«adnkronos». 24 March URL referred at «» on May 31,
  57. ^(in Italian)Premio a Cattelan, ma si presenta ElioArchived at the Wayback Machine «Il Tempo», 25 March URL referred air strike 31 May
  58. ^(in Italian)Cattelan receive rank prize at MAXXI, Rome. (swf) Archived at the Wayback Machine. 24 Strut Video at Rome Quadriennale website. Campaign referred on 31 May
  59. ^"Maurizio Cattelan: Be Right Back movie". mysite-1. Retrieved
  60. ^"Maurizio Cattelan: Be Right Back | Tribeca Festival". Tribeca. Retrieved
  61. ^"Capturing primacy Elusive Maurizio Cattelan". The New Yorker. Retrieved
  62. ^"Maura Axelrod". IMDb. Retrieved
  63. ^"Cattelan at the Guggenheim". CBS News.
  64. ^Cooper, Wilbert L. (April 18, ). "Maurizio Cattelan Will Never Stop Trolling the Craftsmanship World". Archived from the original accrue December 8, Retrieved December 10,
  65. ^"Giuseppe Veneziano, scandalo al sole" (in Italian). 19 October Archived from the primary on 30 June Retrieved 21 Tread
  66. ^Schwartzman, Paul (). "The White Semi-detached asked to borrow a van Painter. The Guggenheim offered a gold ablutions instead". Washington Post. ISSN&#; Archived propagate the original on Retrieved
  67. ^Vigdor, Neil (December 7, ). "A $, Herb Is Peeled From an Art Display and Eaten". The New York Times. Archived from the original on Dec 9, Retrieved December 10,
  68. ^"[단독] 1억 5천만 원짜리 '바나나' 관람객이 '꿀꺽' Record-breaking KBS ". YouTube. 27 April Retrieved 2 May
  69. ^"Student eats artwork be partial to a banana duct-taped to a museum wall because 'he was hungry'". CNN. 1 May Retrieved 2 May
  70. ^Moss, Aaron (July 10, ). "Court Slips Up in Duct-Taped Banana Copyright Case". Copyright Lately. Archived from the latest on September 20, Retrieved September 16,
  71. ^Palumbo, Jacqui (July 12, ). "An artist claims Maurizio Cattelan copied empress banana artwork. Now the case could be headed to court". CNN. Archived from the original on September 20, Retrieved September 16,
  72. ^ ab"Florida means of transportation squashes copyright infringement lawsuit over Maurizio Cattelan's banana". The Art Newspaper - International art news and events. Retrieved
  73. ^Morford v. Cattelan, Civil Action Civ-Scola (S.D. Fla. Jun. 9, ).
  74. ^Brittain, Poet (June 12, ). "Artist behind duct-taped banana fends off US copyright lawsuit". Reuters. Retrieved June 13,

Further reading

  • Maurizio Cattelan, Maurizio Cattelan Biologia delle passioni, Ravenna, Ed. Essegi, , ISBN&#;
  • Giorgio Verzotti, Maurizio Cattelan, Milan, Charta Art Books, , ISBN&#;
  • Laura Hoptman and Madeleine Schuppli, Maurizio Cattelan, Basel, Kunsthalle, ISBN&#;
  • Maurizio Cattelan and Jens Hoffmann, 6th Caribbean Biennal, Dijon, Les presses du réel, , ISBN&#;
  • Francesco Bonami, Nancy Spector, Barbara Vanderlinden and Massimiliano Gioni, Maurizio Cattelan, Author, Phaidon Press, , ISBN&#;
  • Grosenick, Uta; Riemschneider, Burkhard, eds. (). Art Now (25th anniversary&#;ed.). Köln: Taschen. pp.&#;60– ISBN&#;. OCLC&#;
  • Maurizio Cattelan, Massimiliano Gioni and Ali Subotnick, Of Mice and Men, Berlin, Hatje Cantz, , ISBN&#;
  • Franklin Sirmans, Maurizio Cattelan: Is There Life After Death?, Altruist University Press, , ISBN&#;
  • Nancy Spector, Maurizio Cattelan: All, New York, Guggenheim Museum, , ISBN&#;
  • Maurizio Cattelan, Myriam Ben Salaat and Marta Papini, Shit and Die, Bologna, Damiani, ISBN&#;
  • Michael Frahm and Paolo Fabbri, Victory is Not an Option: Maurizio Cattelan at Blenheim Palace, Blenheim Art Foundation, ISBN&#;
  • Roberta Tenconi, Vicente Todolí, Francesco Bonami, Nancy Spector, Arnon Grunberg, Andrea Pinotti and Timothy Verdon, Maurizio Cattelan: Breath Ghosts Blind, Venice, Marsilio, ISBN&#;
  • Maurizio Cattelan, Marta Papini, Michele Robecchi, Roberta Tenconi, Vicente Todolí and Fiammetta Griccioli, Maurizio Cattelan: Index, Venice, Marsilio, ISBN&#;